We’re all familiar with the old line, “Hell hath no fury like a woman scorned.” Men can do equally well in the fury department, as amply demonstrated in “Leaving,” by Yvan Attel, as Samuel, when his wife gets involved with another man. The French import opens here today.
The movie opens with a midnight gunshot, then flashes back six months so that we can find out who is firing the gun, and at whom, and why.
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